Oil On Canvas, Real Flavor of Old Masters

All Miller, Alfred Jacob 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
19436  
Antoine Clement, The Great Hunter, Miller, Alfred Jacob
  		 Antoine Clement, The Great Hunter   1837 Oil on canvas Walters Art Gallery, Baltimore.
19435  
Bear Bull, Chief of the Oglala Sioux, Miller, Alfred Jacob
  		 Bear Bull, Chief of the Oglala Sioux   1837 Watercolor on paper Walters Art Gallery, Baltimore.
41438  
Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl, Miller, Alfred Jacob
  		 Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl   mk162 c.1837 9x7
41443  
Elk Hunting in the Rocky Mountatins, Miller, Alfred Jacob
  		 Elk Hunting in the Rocky Mountatins   mk162 c.1837 Pencil with brown and gray washes on paper 8x7
19437  
Encampment on Green River, Miller, Alfred Jacob
  		 Encampment on Green River   1837 Watercolor on paper Joslyn Art Museum, Omaha.
41441  
Greeting the Trappers, Miller, Alfred Jacob
  		 Greeting the Trappers   mk162 1837 Watercolor on paper 6x9
41447  
Indian Elopemetn, Miller, Alfred Jacob
  		 Indian Elopemetn   mk162 1852 Oil on canvas 30x36
41440  
Indians Assembled in Grand Council to Hold a Talk, Miller, Alfred Jacob
  		 Indians Assembled in Grand Council to Hold a Talk   mk162 c.1837 Pencil and ink with gray wash on paper 8x10
41442  
Indians Fording a River, Miller, Alfred Jacob
  		 Indians Fording a River   mk162 undated Watercolor on paper 4x6
31977  
Interior of Fort Laramie, Miller, Alfred Jacob
  		 Interior of Fort Laramie   mk77 1858-60 Watercolor 11 5/8x14 1/8in
41445  
Louis-Rocky Mountain Trapper, Miller, Alfred Jacob
  		 Louis-Rocky Mountain Trapper   mk162 undated Watercolor on paper 7x5
41444  
Surround of Buffalo by Indians, Miller, Alfred Jacob
  		 Surround of Buffalo by Indians   mk162 c.1848-1858 Oil on canvas 30x44
Miller, Alfred Jacob
American Painter, 1810-1874 American painter. From 1831-2 he studied with the portrait painter Thomas Sully in Philadelphia, PA. In 1832 he went to France, where he studied in Paris at the Ecole des Beaux-Arts. He also visited Rome before returning to Baltimore, to open a portrait studio in 1834. Three years later Miller moved to New Orleans, LA, and was engaged by Captain William Drummond Stewart to accompany an expedition to the Rocky Mountains. The journey brought Miller into close contact with the American Indians, whose hunting and social customs he depicted in 200 watercolour sketches, and with the Far West fur trappers at their annual trading gatherings. He was one of the first artists to leave a detailed visual account of the life of the American mountain men (see WILD WEST AND FRONTIER ART). Miller's Rocky Mountain paintings are among the most romantic images of the American West ever created. His works are often panoramic and dramatic, yet he was equally adept at depicting charming, intimate scenes. His free, vigorous painting style brings to life both the American Indian and the rugged pioneer. Such paintings as the Lost Greenhorn



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